“The Anchorite” of Zuloaga seems entirely 17th century Velasquez, with the elongated human figure, and the whirlwind of sky and dwarfed town like the latter’s famous Toledo. But the artist is Ignacio Zuloaga, who painted it in 1907. Zuloaga did make Velaquez his earliest subject of study. The landscape has become an odd counterpart to the desert, to the world as desert, and though his vestment is conventional, the hermit’s expression is not. The unshaven, barefoot hermit has not a pious but disengaged expression on his face, wistful or mad, the input of centuries of Spanish art, peaking around Goya. The anchorite is not approachable, for he is no longer of this world. In the Musee d’Orsay.
