The German Romantic painter Caspar (or Kaspar) David Friedrich (1774-1840) captures the psychological undercurrent of individualism in his “Wander in the Fog” or “Wanderer in the Sea of Fog” (“Wanderer über dem Nebelmeer”), 1817. The painting depicts a well-dressed man standing on a crag, with a spectacular landscape before him. Is he a mere object in the immensity of nature, or does his pose suggest that humanity — or he, at least — has conquered the mysteries of existence and now stands triumphant over the world? Frederich’s other works depicting bleak romantic (even Gothic) settings does not suggest triumph or clarity. But a Nietzschean interpretation is inevitable, as in the cover art of an older English-language translation of Thus Spake Zarathustra published by Wilco in Mumbai, India, in 2006 (which see here).
The original is in the Hamburger Kunsthalle.