Naked Japanese hermit

A news item about a “naked” Japanese hermit went the rounds of most media during the past week, specifically media, web sites, and blogs that would not otherwise pay attention to hermits. So the keyword brought the attention. Here is the familiar Reuters coverage, text in full, which also featured an oblique photograph:

Dangerous currents swirl around Sotobanari island, which has not a drop of natural water, and local fishermen rarely land there.

But 76-year-old Masafumi Nagasaki has made this kidney-shaped island in Japan’s tropical Okinawa prefecture his retirement home, with an unusual dress code: nothing at all.

Naked, he braves lashing typhoons and biting insects as a hermit in the buff.

“I don’t do what society tells me, but I do follow the rules of the natural world. You can’t beat nature so you just have to obey it completely,” he said.

“That’s what I learned when I came here, and that’s probably why I get by so well.”

The wiry Nagasaki, his skin leathered by the sun of two decades on the island, worked briefly as a photographer before spending years on the murkier side of the entertainment industry. When retirement came, he wanted to get far away from it all.

He chose Sotobanari, which is roughly a 1,000 meters across and means “Outer Distant island” in the local dialect. It lies off the coast of Iriomote island, far closer to Taiwan than to Tokyo.

His resolve was tested relatively soon into his stay when a massive typhoon swept over the island, scouring away most of the scrub he had counted on for shade, as well as carrying away the simple tent he lived in.

“I just scorched under the sun,” he said. “It was at that point I thought this was going to be an impossible place to live.”

For the first year he lived on Sotobanari, he threw on clothes whenever boats passed his way. But slowly the island stripped away his embarrassment.

“Walking around naked doesn’t really fit in with normal society, but here on the island it feels right, it’s like a uniform,” he said. “If you put on clothes you’ll feel completely out of place.”

He does throw on clothes once a week for a trip to a settlement an hour away by boat, where he buys food and drinking water. He also collects the 10,000 yen ($120) sent to him by his family, on which he lives.

His staple food is rice cakes, which he boils in water, eating whenever hunger strikes – sometimes four or five times a day. Water for bathing and shaving comes from rainwater caught in a system of battered cooking pots.

Each day is conducted according to a strict timetable, starting with stretches in the sun on the beach. The rest is a race against time as he prepares food, washes and cleans his camp before the light fails and insects come out to bite.

It isn’t the healthiest of lifestyles, he concedes – but that isn’t the point.

“Finding a place to die is an important thing to do, and I’ve decided here is the place for me,” he said.

“It hadn’t really occurred to me before how important it is to choose the place of your death, like whether it’s in a hospital or at home with family by your side. But to die here, surrounded by nature – you just can’t beat it, can you?”

URL: http://www.reuters.com/article/2012/04/17/us-japan-naked-hermit-idUSBRE83G0LW20120417

“Hermit” of Fukushima

A number of articles about Naoto Matsumura have appeared in the media, variously describing him as loner, solitary, farmer — and this one as “hermit.”

Naoto Matsumura has elected to remain within the 12 mile/20 kilometer exclusion zone around the failed Fukushima nuclear plant to feed and care for animals (cows, dogs, cats, etc.) abandoned by people fleeing the zone.

Surely he understands the health risks, and his motive is never clearly described (he smokes, eats what he admits is bad food, canned). But he is not a martyr or an activist. Matsumura says he does not want to see the abandoned and contaminated towns revitalized — he wants them to disappear.

URL: http://www.terradaily.com/reports/The_hermit_of_Fukushima_staying_put_despite_risks_999.html

Naoko Matsubara: “Solitude”

from Matsubara: Solitude
from Matsubara: "Solitude"

“Solitude” is a series of eleven woodcuts by contemporary Japanese artist Naoko Matsubara.

“Solitude” is presented as reflections on Henry David Thoreau. The style is expressionistic, wherein Matsubara strives to show the inner energy in living beings such as trees. To recognize this quality of sentient beings requires a sensitivity to solitude, for it sets aside our own consciousness to identify fully with — in this case — trees.

Solitude is Thoreau’s physical and intellectual setting, and the woodcuts seem to derive energy as much from his inspiration as from the physical beings themselves. Trees find their liberation into a charged nature sanctified by Thoreau’s presence.

A further clue into understanding the art is that fact that Matsubara was brought up in the Shinto tradition, which identifies closely the spiritual in living objects.

Many web references available, including (at this writing) a site with the eleven “Solitude” series woodcuts: http://www.liveauctioneers.com/item/821279

Hikikomori “crisis”

An opinion piece in Japan’s Mainichi News titled “‘Hikikomori’ bedroom hermits should be regarded as national crisis” summarizes the hikikomori phenomenon in Japan today, the extent of the issue, and the fact that all remedies so far have fallen short.

There are approximately 230,000 people who almost constantly shut themselves in their rooms except to go to nearby convenience stores, according to a survey conducted by the Cabinet Office. The number increases to about 700,000 if those who only go out to do something hobby-related are included.

Moreover, there are an estimated 1.55 million potential so-called ‘hikikomori’ who have felt like shutting themselves in their own rooms. Most of them are young people.

As the population of young people declines due to falling birthrates, the statistics have raised questions about the future of Japan.

Hikikomori are defined as those who shut themselves in their homes for at least six months but are not involved in child care or housework even though they are not sick.

The article acknowledges that even after 15 years of observing this phenomenon in Japan there is no consensus on the cause.

URL: http://mdn.mainichi.jp/perspectives/news/20100727p2a00m0na007000c.html