Solitude in Judaism

An article on solitude in Jewish contemplative practice, from the blog Jewish Contemplatives. The little essay serves as a useful introduction to the topic, as in these important observations:

The two main reasons for the apparent dearth of solitary practice in Judaism are its insistent focus on communal activity and its objections to life-long celibacy. Judaism does not generally encourage physical withdrawal from society, it encourages the pursuit of justice and mercy through social action. Judaism does not encourage monastic celibacy as a way of expressing devotion, dedication, or as a spiritual technique. Instead it regards procreation (Genesis 1:28) and the education of children by the family unit (Deuteronomy 6:7) to be positive mitzvot — commandments to be observed. It also insists that communal liturgical prayer is the ideal form of Jewish worship, and it makes the presence of a minyan (ten worshipers) the condition for many full liturgical usages in order to assert this directive somewhat forcefully.

Nevertheless, if we look at the lives of Jews with a leaning towards meditation, contemplation, and meticulous religious observance we may find surprising and highly significant anomalies in the practice of religious solitude. I am not merely referring to fringe pietist groups or minority eccentrics here, but towering figures like Moses our Teacher, Elijah the prophet, Rabbi Isaac Luria the eminent kabbalist, and the Baal Shem Tov, founder of “modern” chassidism. These are not Jews on the fringe. They are the generators and exemplars of quintessential Jewish spiritual practice.

URL: http://jewishcontemplatives.blogspot.com/2012/02/solitude-in-jewish-contemplative.html

Cain on creativity

Susan Cain, author of the forthcoming book Quiet: The Power of Introverts in a World That Can’t Stop Talking, has published an article titled “The Rise of the New Groupthink” in a recent issue of the New York Times.

The article looks at how creativity is best expressed in school and work settings that safeguard privacy for creative individuals, in contrast to the current idea that working in teams elicits the best creative results.

URL: http://www.nytimes.com/2012/01/15/opinion/sunday/the-rise-of-the-new-groupthink.html

Essays of interest

Eric S. Fallick offers several essays on Platonism and Platonic-inspired interpretations at his website “Essays and Translations.” Of relevance to eremitism are “A Few Thoughts on Renunciation,” “The Practice of Contemplation,” “An Excerpt from Damascius’ Life of Isidore/The Philosophic History,” about a pre-Christian Greek renunciant, and “Homer on the Limitations of Institutionalized Monasticism: The Aeolus Episode of the Odyssey.”

Brought to our attention by a friend of Hermitary.

URL: http://independent.academia.edu/EricFallick
OLD URL: http://www.eumaiosllc.com

Iyer on quiet

In a New York Times article titled “The Joy of Quiet” writer Pico Iyer reflects on solitude and alone-time in contemporary U.S. society. Here is a representative quote:

The urgency of slowing down — to find the time and space to think — is nothing new, of course, and wiser souls have always reminded us that the more attention we pay to the moment, the less time and energy we have to place it in some larger context. “Distraction is the only thing that consoles us for our miseries,” the French philosopher Blaise Pascal wrote in the 17th century, “and yet it is itself the greatest of our miseries.” He also famously remarked that all of man’s problems come from his inability to sit quietly in a room alone.

URL: http://www.nytimes.com/2012/01/01/opinion/sunday/the-joy-of-quiet.html

Brought to out attention by a friend of Hermitary.

On the Hermitary website is Iyer’s essay “The Eloquent Sounds of Silence” published in Time magazine in 1993. Iyer has long had an interest in this topic.

Zuloaga’s “Anchorite”

“The Anchorite” of Zuloaga seems entirely 17th century Velasquez, with the elongated human figure, and the whirlwind of sky and dwarfed town like the latter’s famous Toledo. But the artist is Ignacio Zuloaga, who painted it in 1907. Zuloaga did make Velaquez his earliest subject of study. The landscape has become an odd counterpart to the desert, to the world as desert, and though his vestment is conventional, the hermit’s expression is not. The unshaven, barefoot hermit has not a pious but disengaged expression on his face, wistful or mad, the input of centuries of Spanish art, peaking around Goya. The anchorite is not approachable, for he is no longer of this world. In the Musee d’Orsay.

Zuloaga: The Anchorite
Zuloaga: The Anchorite