Willard, hermit of Gully Lake (film)

A new film by Canadian producer Amy Goldberg is being screened: “Willard, The Hermit of Gully Lake.” The documentary film is described succinctly on the film website:

In the 1940’s American-born Willard (Kitchener) MacDonald jumped his troop train heading to WWII. Fearing authorities he lived as a hermit deep in the northern wilderness of Nova Scotia, Canada for more than 60 years. This is the true story of “The Hermit of Gully Lake,” a man who lived a life that the rest of us could never endure. He was a soul in exile and yet you will discover that he touched the lives of so many, in ways that no one can really explain.

The film website includes a trailer.

URL: http://www.pushbackproductions.com

Coptic anchorites

In the eremitic tradition of Coptic Christianity, hermits are known as anchorites. Their obscurity in the Western world is due in part to the irregular status of Copts versus the major Christian denominations, the scarcity of translations, and the exoticism of geography and culture.

A sense of these characteristics can be found in a book by the Coptic prelate Pope Shenouda III entitled “What is an Anchorite?” translated and posted on the Coptic Hymns web site. The page is part of the larger section on Coptic spirituality that includes stories about desert saints and hermits. Brought to our attention by a friend of Hermitary.

URL: http://www.coptichymns.net/index.php?module=library&
tid=1&filter=category:eq:23&pubcnt=100
.

Zumthor’s chapel for Swiss hermit

The German-Swiss architect Peter Zumthor has created the “Field Chapel” dedicated to Brother Klaus or Nicholaus of Flue, the early modern Swiss hermit and visionary. An article from the Guardian entitled “Solitary Refinement” by Jonathan Glancey describes the chapel:

The apparently simple form of Zumthor’s building proves to be far richer than it first appears. The concrete has been poured by Herr Scheidtweiler, family and friends, over a wigwam-like timber frame. Once the concrete had set, this frame was set on fire, creating walls inside the chapel that are strangely blackened and haunted with the ghosts of the timbers that once supported them. The floor is a frozen pool of molten lead, while the roof is open to the sky and, by night, the field of stars above. Rain and sunlight tumble and fall through this oculus to create atmospheric patterns of shade and glistening weather.

Zumthor’s chapel is numinously dark inside, but when you look up, the oculus itself resembles the flare of a star – a reference, presumably, to Brother Klaus’s vision in the womb. Being here alone is close to feeling, if not understanding, the faith that sustained the Swiss hermit.

So, here is a building containing just one room, with a roof that fails to keep out the rain, made of rough concrete, burned timber and lead. It has no electricity. No running water. No plumbing. No lavatories. No wind turbine. No solar panels. No air-con. No pictures hang on its walls. It offers no obvious, or accepted, sense of comfort. And yet it is compelling and very beautiful, offering solace.

URL: http://arts.guardian.co.uk/art/architecture/story/0,,2100148,00.html